The origin for “Mapping Chaos” was memory – memory of things from our habitat. Details of the contents of cupboards, drawers, boxes and depositories document – burned onto ceramic honeycomb – our connection with the things that surround us. Extensions of the self, they are similarly stored both in memory and architecture.

2006 Installation

2 seated figures, glazed ceramic
Ca. 240 honeycomb cells, ceragraph, glazed ceramic
Each 18.50cm x 17.00cm